Specifically, seven performers, all members of the Rodotopi Guitar Ensemble, participated in the seminar. They played pieces of varying eras and difficulty, starting from simpler works, such as Pavana and Tango by F. Tárrega, and progressing to more complex and demanding pieces, such as El Último Trémolo by A. Barrios and Introduction and Rondo, Op. 2, No. 2 by D. Aguado.
Through these works, the pedagogical aspect of George Bechlivanoglou was highlighted. He analyzed each piece phrase by phrase, delved into intricate details, and vividly addressed issues of interpretation and technique.

